8th Festival 1998

Main programme


Samstag 14. Nov. und Sonntag 15. Nov. // 19.30 – 21.00 Uhr
Schauspielhaus

Festivalabschluss

Les Ballets C. de la B. & Ensemble Explorations, Gent


»Iets op Bach«
(»Kleinigkeiten zu Bach«)




Konzeption und Inszenierung:

Alain Platel

Musik:

Johann Sebastian Bach

Musikalische Leitung:

Roel Dieltiens

Bühnenbild:

Pol Heyvaert

Kostüme:

Pynoo

Lichtdesign:

Gerd Van Looy

Tänzer:

Lazara Rosell Albear, Gabriela Carrizo, Franck Chartier, Larbi Cherkaoui, Lizi Estarás, Minne Ghani, Samuel Louwyck, Einat Tuchman, Darryl E. Woods

Darsteller:

Necati Koÿlü (Junge), Lies Buysse, Laura Neyskens (Mädchen)

Sänger:

Greta De Reyghere (Sopran), Werner Van Mechelen (Bariton), Steve Dugardin (Alt)

Musiker:

Christine Busch (Violine), François Fernandez (Violine), Martina Graulich (Viola), Ute Grewel (Kontrabass), Robert Kohnen (Orgel und Cembalo), Saskia Fikentscher (Oboe), Frank Theus (Traversflöte), Roel Dieltiens (Violoncello)



A nomadic artist family at a rooftop terrace among television antennas, chimneys and ventilation shafts. An acrobat, a transvestite and a cripple, wailing women, a girl harassed by her father and a pair of lovers. Euphoria, blood, tenderness and lust. Freedom poetry, merriments meaninglessness, everydays heaven and hell.

Alain Platel, native of Ghent and born in 1956, is an exception on the modern European stage. He always felt himself magically attracted to Johann Sebastian Bach's music. But only after touching base with Georg Friedrich Händel in »Bonjour Madame ...« (1993) and Henry Purcell in »La tristeza cómplice« (»The shared sorrow«, 1995) did he dare to approach this »musics most sacred shrine«.

Bach and mundane workaday, no contrast appears to be more distinctive. Frequently arithmetic construction, pathos and religious background are deemed so prominent in his compositions that one item seems nearly forgotten: the human being. Bach's problems, may they be his vexation with superiors, irritating diversion through daily routine drudgery or suffocating everyday trivia are well known to all of us. Platel associates the topic of death, always subtly touched on in Bach's cantata and passions, just as vitality, indignation, banality, passion, failure and resignation are implied on – also with political life.

The Belgian cellist Roel Dieltiens who guest-performed in numerous countries as a solo player as well as with his chamber orchestra, made a great contribution to this production which is, coming after »La tristeza cómplice« (1996) and »Bernadetje« (1971), the third by Alain Platel at euro-scene Leipzig. No conceivable subtitle fits »lets op Bach« – perhaps it is a »folksy opera of the pure heart« ...


Uraufführung: 11.05.1998, Brüssel

Produktion: euro-scene Leipzig / Expo 1998, Lissabon / Hebbel-Theater Berlin / Kunstencentrum Vooruit, Gent / Internationales Sommertheater-Festival Hamburg / South Bank Centre, London / Northern Stage Newcastle / Théâtre de la Ville, Paris / ERT Modena / Kunsten Festival des Arts, Brüssel

Das Gastspiel erfolgt mit freundlicher Unterstützung durch Ministerie van de Vlaamse Gemeenschap-Administratie voor de Kunst, Brüssel / Frans Brood Productions, Gent.